His device: (Fieldless) On a hexagon Or a rabbit's head cabossed sable.

Kumihimo for Hitatare Sugata

by Ishiyama Gen’tarou Yori’ie

Kanji for his name

The hitatare sugata was everyday wear for higher class men, especially warriors. Both parts of the outermost layer of the hitatare sugata (the hitatare upper-body garment itself, and the matching hitatare-no-hakama) are embellished with braid. The sleeve ends of the hitatare are laced with braid, and the front lapels are fastened with cords. Decorative knots adorn key points on both garments.

The decorative knots are the historical successors of the “kikutoji” (chrysanthemum flower) flat pom-pom adornments often seen on garments from earlier SCA period. It is believed that these embellishments also reinforce the seams at these key points.

Chest cords appear on most men’s outer garments throughout period, and survive to this day on the traditional “haori” jacket. Modern haori ties typically begin on smaller loops that are used to fasten them to internal hooks on the garment lapels. Period chest cords begin on larger loops that are sewn to the exterior of the lapels with decorative effect.

The sleeve laces could be used to draw up the sleeves for wearing the hitatare under armor. Some variation on the hitatare, like the “yoroi hitarare” use them in this fashion, but more often the laces are decorative. In later period, the sleeve cords became tassels at the bottom of the sleeve opening and were purely decorative.

The complete outfit, or “sugata”, includes:

  • Two “munahimo” chest cords that close the hitatare in front. These cords are made from 16-strand “keiruko no himo” round braids in an “OXXO OOO XOOX OOO” color pattern, These braids were begun as short 8-strand “edo yatsu” braids in the middle of the material, which were then made into closed loops when the strands were combined for the main body of the cord. Each munahimo is approximately 30 inches long.
  • Nine “kotsuyu” knots that embellish the hitatare and hakama. These knots are each made from 15 inches of 16-strand “keiruko no himo” round braid in the same color pattern as the munahimo. Each segment of braid was cut from a longer braid to save set-up time, and sewn in place by hand.
  • Two “sodetsuyu” sleeve laces that pass through holes in the sleeve end. Each sodetsuyu is made from 6.5 feet of 16-strand “hira nami” flat braid, braided in an “OOOOOOXX XXOOOOOO” color pattern.

These braids were created between December 2012 and March 2013, on a marudai braiding stand.


Please view other notable braiding projects in Ishiyama's Kumihimo portfolio.

Ishiyama Gen'tarou Yori'ie is known mundanely as Elliott C. Evans. He can be reached via email to ishiyama{at}ee0r.com