Tag: reviews

bookmark_border“Shock Induction”, by Chuck Palahniuk

Posted on by Elliott Evans

This is the latest novel by Chuck Palahniuk. It is a satire. The only reason this is not a non-fiction novel is because it is a satire. The truth is that everything this novel talks about basically does happen, just not in the absurd ways Palahniuk pretends it does for the purposes of this novel. Everything that “some shadowy but not actually secret at all group” is doing to young people in the novel is actually happening, just to different sets of young people than imagined in the novel, and in slightly different ways.

This book is a fast read. It is engaging and well written. It is confusing at times, but nobody reads Chuck Palahniuk expecting the narrative to go down like vanilla ice cream, right? Chuck Palahniuk is more like a double cone of rum raisin and rocky road, and the cone is cracked, and the day is hot and sunny; and there you are in the hot sun trying to ingest this mix of textures and flavors while constantly licking the outside of the whole thing to keep from getting any on your pants.

I do not think that Shock Induction will become one of my favorite Chuck Palahniuk books. Those are still Fight Club, Diary, and Rant. It’s pretty high up in the second tier, though. Holding it up against his other recent books, it’s tighter than The Invention of Sound, more palatable than Not Forever But for Now, and less terrifying than Adjustment Day. Maybe wait for this one in softcover if you’re not already the proud owner of a hardcover copy. I mean, it came out weeks ago.

bookmark_borderYou Are Too Sober for this Book Review

Posted on by Elliott Evans
Shelf of books authored Pargin, Jason

Having just come out in 2022 with a me-lauded new entry in the “John Dies at the End” series, Jason “David Wong” Pargin followed up in 2023 with a new “Zoey Ashe” novel titled Zoey is too Drunk for this Dystopia. I continue to believe that Pargin continues to make himself a better and better writer. I don’t know, maybe he just has better editors, but he knows enough to work with them to make better and better books, so good enough.

Anyway, in the first book of this series, protagonist Zoey Ashe inherits a vast fortune and shady business empire from her father. This inheritance comes with a group of her father’s helpers who are known collectively as “The Suits”. Now, Zoey is not stupid, and she is far from helpless, but she is way out of her depth in the first book, and knows it. The Suits do most of the heavy lifting, and Zoey mostly struggles to keep up while trying to direct the business onto a more noble path.

In this book, the fourth in the series, Zoey is really coming into her own. She is making the plans, and doing some of the heavy lifting. When helpers get sidelined, she knows that the rest of the team is looking to her to pick up the slack and recruit substitutes. She’s going from being the shocked owner of this thing, to being the real boss of this thing. Zoey still makes some mistakes, and some horrible decisions that turn out OK anyway, but she’s getting there, and she never forgets about her family, her cats, and her desire to make the world a slightly better place now that she has the resources to do so.

As a writer, Pargin has learned to subvert the reader’s expectations. It’s not that he’s trying to surprise you, but he’s trying to make you think about people. In the Zoey Ashe novels, protagonists aren’t always good, villains aren’t always bad, and red herrings sometimes turn out to be clues. The gun on the mantel in act 1 might be revealed in act 2 to display a flag that says “BANG!”, then in act 3 the flag is waved to summon help from a Thai sea pirate. You just ever know, but he’s urging you to look. Maybe the villain is really ridiculous and more naive than you. Maybe the protagonist has to do one awful thing to make sure another awful thing doesn’t happen. He’s urging you to look inside the suit and see the real person.

Later this year, Pargin is releasing yet another novel, and I think it is set in yet another series. I applaud whenever an author decides to branch out, but I hope this isn’t the last we read about Zoey. Both Pargin and his creations are still on their way to becoming real heroes, and I want to see what they are like when they get there.

bookmark_borderIf this review exists, you are in the wrong universe

Posted on by Elliott Evans

Last night, I finished reading the latest book in Jason “David Wong” Pargin‘s “John Dies at the End” series, If This Book Exists, You’re in the Wrong Universe. I liked it quite a bit.

This series, if you can find it in a store, typically gets shelved under “Horror”, but I don’t know. I found out about the first book while trying to watch all of the movies directed by Don Coscarelli. He mostly directs horror movies like Phantasm and Bubba Ho Tep, so I guess that makes the book that the horror movie was based on a horror book. There is plenty of horror in it, but it’s also very funny because there is plenty of humor in it, but it’s not a comedy because there is a good solid serious story under those other layers.

The thing about these books is that each one is better than the last. The horror is more involved. The humor is more pervasive and integrated. The story and the development of the characters is stronger, more personal, and more positive (no, really).

Interspersed with all the bloodshed and explosions, with all the running gags and one-liners, there is some intricate plotting and utterly awesome prose. I read some passages out loud to Sharon because I was just stunned by some of the wonderful things Pargin writes for his characters.

You don’ have to read all the books in order to appreciate any one of them. If you don’t think you have the patience to “get all caught up”, I say don’t bother. Jump straight to this last one even though it will spoil the shock that John doesn’t die at the end of the first one. It’s definitely the best of the series so far.

bookmark_borderBook Review – “Once Upon a Time In Hollywood”

Posted on by Elliott Evans

I’m a great big slobbering fan of Quentin Tarantino’s films, so when I saw that he had released a “novelization” of his most recent film, “Once Upon a Time… In Hollywood” I added it to my shopping list.

Cover image courtesy of alibris.com

I greatly enjoyed reading this book, but one thing you need to know about it is that it is not the same story as the film. First of all, since it is a book there is a lot more of the story told from inside the heads of the characters. You see the world through their eyes and histories, rather than through your eyes and Tarantino’s camera. There are long expository sequences recounting the history of cinema and television, as regarded by different characters. These sequences inform the actions of the characters, but this exposition is not present in the film.

Actually, the book is edited so that the entire “point” of the story is different. If you utilize my theory that a well-crafted story ends on the point, then the end of the movie indicates that what Rick Dalton really wants to be is a real hero (like his friend Cliff Booth is), but the end of the book indicates that what Rick Dalton really wants to be is a real actor. This is a big difference.

Some of the Charlie Manson stuff from the movie is present in the book, but much of it has been edited out. Rick Dalton even makes some different choices in the book than he does in the movie, or at least that is what is implied. Anyway, the book is different than the film. I enjoyed both, but they are not exactly the same. I wonder if the book is the movie that Tarantino kind of wishes he could have released, but the movie is the movie that he knew he had to release to avoid bad reviews. Maybe Tarantino is just making fun of the way that novelizations are almost always different from the films.

The design of the book is really cool, mimicking the design of movie novelizations from the sixties. There are even ads for sixties books and movies in the back. I wish there was an ad for Red Apple cigarettes. I have so many old SF paperbacks with cigarette ads in them.

bookmark_borderRise and Fall of D.O.D.O., The

Posted on by Elliott Evans

A Novel by Stephenson, Neal and Galland, Nicole

Anybody who knows me well enough to read this here blog knows that I enjoy reading books by Neal Stephenson. Some people, including people I otherwise respect, consider him to be long-winded and tiresome. “Long-winded” I cannot argue against, but I find him to be endlessly entertaining.

DODO is 742 pages of epistolary diachronical action. It is chock full of manuscripts, emails, journal entries, after action reports, radio transcripts, running around, helicopters, car chases through the streets of Boston, boat rides, sex scenes, battles, beer drinking, quantum physics, holiday parties, and team meetings.

It took me more than a month to grind through it all, but I enjoyed the whole thing.

bookmark_borderMovie Review: SW ch.9 The Rise of Skywalker

Posted on by Elliott Evans

I liked it, overall. It is first and foremost definitely a Star Wars movie. It failed to do some things I was hoping it would do, but it also declined to do some things I was hoping it would not do, so I guess that’s a wash. It did do some things I was not expecting it to do, but that I am glad it did, so that’s a net positive. I suppose that I am most impressed with the way that it resolved some things that had to be resolved, but left open some things that were more important to leave open. Well done, Mr. Abrams. There are still plenty of people who aren’t going to like this on its own, and people who aren’t going to like it as the finale to a 9 film series, but I think it’s good.

bookmark_borderMovie Review: Knives Out

Posted on by Elliott Evans

I am an unabashed Rian Johnson fan. His first three films, Brick, The Brothers Bloom, and Looper, are part of my permanent library. I’m not sure why Disney thought it would be a good idea to have him lead a Star Wars main line film, but I admire what he tried to do, dragging the franchise in a new and unexpected direction. Knives Out is a return to what Johnson does best: Twisty little stories about people who’ve made bad choices.

I don’t mean to say that Knives Out is one of those mysteries that misleads you every step of the way. In fact, it’s one of those that lays out nearly everything you need to know, just may be you don’t realize it at the time. If you’ve seen the trailer for it, you know that a veritable wreath of murder weapons is in view for much of the film. The rules of drama dictate that something should happen, but how? Is it just a rack of red herrings?

The dialog is sharp, and yet realistic. The acting is enthusiastic, and yet not inhumanly hammy. The set is gothic, and yet not baroque. The detective is smart, and yet not brilliant. The protagonist is a good person, and yet not an angel. The script is funny, and yet not comedic. This movie walks the finest tightropeimaginable, and it never wobbles.

Each time I watch a Rian Johnson film, I feel like had I never watched one before, I’d go back and find out what I’ve been missing. See this one. Watch his other films. Look forward to the shape of the plot. Pay attention. I promise you will find the experience rewarding.