bookmark_borderMusical Brushwork

More Choju Jinbutsu Giga copies, this time with a fox carrying food and a rabbit carrying a musical instrument. I did a number of variations on this one, with different arrangements of the elements, including some of the greenery that is all over the historical scroll.

I tired coloring in the outlines again, and I think it worked out much better this time than last time.

Here’s one with color outlines, and I think this came out great! It’s basically the effect I’ve been trying to achieve.

bookmark_borderDeer Washing Brushwork

Continuing in my project to work my way through the lesser-known images from the Choju Jinbutsu Giga, we come to this image of two rabbit washing a deer. This is probably a ritual bath for the animal, preparatory to a blessing by a priest.

This first one is a traditional ink-only rendition in the hakubyo style of the original.

This one I got a little ambitious with the color, I think. These hues are way too saturated.

This one I just did the outlines, but with colored paints instead of just ink. This is not as dark as the second one, but it’s maybe too light. The deer is like a ghost deer.

bookmark_borderFrolicsome Brushwork

The Chōjū Jinbutsu Giga emaki is an ancient wordless scroll of “frolicking animals”. It is generally considered to be a satire of the habits and behavior of the nobility. There are four scrolls in the collection, which does get displayed occasionally. The first scroll is the most well know, and the most popular images from the scroll are available as all kinds of merchandise. I bought some postcards and rubber stamps when I was at the Tokyo National Museum in 2016.

This image is one of the less popular ones from right near the beginning of the first scroll. It shows what is probably a ritual bath before the day’s activities.

Yes, I got the image backwards in this first one. My process involves scanning an image, darkening the primary lines on a printout with a marker, and then tracing from the modified image. I use a light panel for all this, and I usually darken the back of the printout. This makes the primary lines easier to see when it’s time to trace in ink onto the final paper. I forgot to flip the printout before starting on the ink tracing. Oops.

I think I got the facial expression on the seated monkey much better in this version. I also did a third copy, but this one is larger and does not leave much room on the paper for the words of a scroll, so it will probably just go into my portfolio.

As pre-elevation ritual for a Knighthood in the SCA involves a ritual bath, maybe this would be a good image for a writ scroll? /shrug

One of my secret plans is to eventually reproduce the Choju Giga (at least the first scroll) in its entirety. It may take a team of people to do it. I need a lot more practice on these less-popular sections, though.