bookmark_borderTwo New Linen Kosode

The first is another white kosode. I’m having to retire one of my old, old kosode because the cotton fabric is failing, so I need a kosode with narrow sleeves that can fit through narrow spaces in older garments. I have modified all of my older kosode to maximize the opening where the sleeve meets the body, but some of them just don’t have a lot of height to the sleeve itself.

White Kosode 2025, from Linen

I only had a few months left to make my white kosode for 2025 anyway. This one is from the nice white linen I have been buying at Pennsic for the last few years. Due to some poor planning, I was not able to use the most au courant sewing pattern for kosode. I also decided to cut the piece for the neck band a little wider than normal, so it would stay more visible when worn under other kosode. This meant that the okumi overlaps are a little small. Oh well.

The next one is more exciting and more interesting. It’s made from a black and white linen tartan fabric I also bought at Pennsic, I think from the same merchant who sold me the linen for the recent green hakama. The pattern is woven in, not just printed on the surface. It’s very nice fabric.

The overlaps are a full panel width! They are joined at the edges of the neck opening! Neither the body panels nor the overlap panels are cut to make them narrower or angled, they are just folded! The sleeves are 1.5 panels wide, but those panels are not cut either! The sleeve ends double back on themselves to make self-facings! If you look closely, you can see I’ve done some clever things at the seams where sometimes the grid matches up and sometimes it doesn’t. I know all that sounds very technical and maybe doesn’t make sense to you, but trust me, I’m very happy with the work that went into this one.

bookmark_borderWhite Kosode 2023

With the Pandemic lightening up enough for the SCA to start having regular events once again, I decided to restart some of my garb-making activities. The last new white under-kosode I made was way back in 2020. Anyway, I finished this kosode back in mid-December. It is entirely white linen, some very nice white linen I purchased at Pennsic 50.

Kosode from white linen

There’s nothing much special to this kosode, other than it conforms a little better to what we now think a kosode should be. The sleeves are almost entirely attached to the body. The overlaps are still “old-style”, but I’ll work on that for the next one.

bookmark_borderWhite Kosode 2020

I had meant to leave this year’s white kosode half-finished, so I could use it as a demonstrator for a class I was going to teach at Pennsic on kosode construction. Instead of leaving it to fester while we’re waiting to see if there will be a Pennsic next year, I decided to complete it so that I could wear it if we ever happen to have an SCA event ever again.

Gosh that all sounds pessimistic, I know, but there it is. Really, I’m much more optimistic about the future of the SCA than that. I think we will have to reconsider what makes an event and how we run them, but I’m sure we will have events in the future. They might just be very different from the kind of events we’ve had in the past, though.

Anyway, this year’s kosode, in white ramie. I’ve already made two kosode from the white ramie I ordered a couple of years ago. When it became time to make my 2020 kosode, I thought about getting some new fabric, but I realized I still had plenty of this terrific 150 gram ramie linen from Morex Fabrics, so why not use it? The pattern is my standard men’s kosode method, starting from 14.5″ panels. For my technically-minded friends, I continue to use half-panel overlaps and three-layer collars.

bookmark_borderFirst Braid of the Year

I’ve made a resolution to start doing more 16-tama braids. I have been braiding for more than 10 years, and even though 8-tama braids are still fun to do, I should show some discipline and exert some real effort. This one is a good start because this pattern (Creative Kumihimo 16D) only has four steps, and you only move eight of the tama during each iteration. This gives the braid a nice twill structure and (if you set up the colors just right) this nice alternating zig-zag ring appearance. It may look round, but the shape of the braid is actually more octagonal.

16-tama braid in red and white silk
16-tama braid in red and white silk

Anyway, this braid is in Æthelmearc colors and has medallion-cord fittings. It will go to the Kingdom at some point.