With the Pandemic lightening up enough for the SCA to start having regular events once again, I decided to restart some of my garb-making activities. The last new white under-kosode I made was way back in 2020. Anyway, I finished this kosode back in mid-December. It is entirely white linen, some very nice white linen I purchased at Pennsic 50.
There’s nothing much special to this kosode, other than it conforms a little better to what we now think a kosode should be. The sleeves are almost entirely attached to the body. The overlaps are still “old-style”, but I’ll work on that for the next one.
I had meant to leave this year’s white kosode half-finished, so I could use it as a demonstrator for a class I was going to teach at Pennsic on kosode construction. Instead of leaving it to fester while we’re waiting to see if there will be a Pennsic next year, I decided to complete it so that I could wear it if we ever happen to have an SCA event ever again.
Gosh that all sounds pessimistic, I know, but there it is. Really, I’m much more optimistic about the future of the SCA than that. I think we will have to reconsider what makes an event and how we run them, but I’m sure we will have events in the future. They might just be very different from the kind of events we’ve had in the past, though.
Anyway, this year’s kosode, in white ramie. I’ve already made two kosode from the white ramie I ordered a couple of years ago. When it became time to make my 2020 kosode, I thought about getting some new fabric, but I realized I still had plenty of this terrific 150 gram ramie linen from Morex Fabrics, so why not use it? The pattern is my standard men’s kosode method, starting from 14.5″ panels. For my technically-minded friends, I continue to use half-panel overlaps and three-layer collars.
I’ve made a resolution to start doing more 16-tama braids. I have been braiding for more than 10 years, and even though 8-tama braids are still fun to do, I should show some discipline and exert some real effort. This one is a good start because this pattern (Creative Kumihimo 16D) only has four steps, and you only move eight of the tama during each iteration. This gives the braid a nice twill structure and (if you set up the colors just right) this nice alternating zig-zag ring appearance. It may look round, but the shape of the braid is actually more octagonal.
Anyway, this braid is in Æthelmearc colors and has medallion-cord fittings. It will go to the Kingdom at some point.