Having made the bamboo satchel, I still had one RÖDEBY bamboo thingy from IKEA. I’ve been using a collapsible box tote for the last few years to carry all my regular SCA stuff (papers and whatnot), and it is starting to show its age. I figure these bamboo things will be pretty durable over time, so maybe a more open-top design this time. This is much like the crates I used to make a lot of, but the fabric lining makes it a continuous surface inside. I just had to figure out the right size squares for the end pieces.
The tote is assembled with glue and copper nails . The rope is attached by inserting it through holes I drilled in the pine board. There is no finish or anything other than what came on the RÖDEBY. Here’s what it looks like when I fill it up with my stuffs:
It is a little smaller than the fabric tote it is replacing, but that is OK. I often despair of how much stuffs I carry around all the time, so tighter limits are probably for the best.
This only took me an hour or so to put together, plus the time it took for the glue to fully cure.
I made four Japanese-style sawhorses several years ago, but I realized recently that I had no way to transport them except to toss the pieces into the trunk of my car or pile them in a wagon. Then, some friends of mine moved away and gifted me with a pile of lumber they had been using as storage shelving. I spent a few days at the 51st Pennsic War medieval event constructing this 26″x16″x11.25″ crate using only hand tools, as a demo of Japanese style woodworking.
I used a ryoba nokogiri saw to do all the cutting of the pieces from the boards, and some of the joinery. I used oire nomi chisels and a mawashibiki saw to cut the remainder of the joinery and the handle cut-outs. A yotsume kiri gimlet came in handy for pilot holes so that the wood didn’t split when I drove in the nails with a genno tsuchi hammer.
Contrary to common belief, Japanese carpenters would not have used fancy joinery without nails to construct such a simple workman’s item. That kind of specialty carpentry was mostly used for devotional items or religious buildings. They probably would have used forged nails instead of wire nails, but I don’t have any of those handy. The big chunky box joints are seen a lot in shipping and storage boxes.
The linen bag holds the wedges and pegs that hold the horses together when assembled. I wrapped the handle cut-outs with some of this great palm rope from Hida Tools. I call it a crate instead of a box because there’s actually an opening in the floor because I just used two pieces of 1-by-12, leaving a 2-inch gap in the middle. This should let the sawdust and shavings out.
The completed box plus sawhorse parts is pretty heavy, so I have to store it on a lower shelf instead of storing the loose pieces on the highest shelf in the garage. I might try to figure out a packing pattern for only one horse’s worth of pieces, then make 2 of those for the other 2 horses.
Although I have been working for my current company for almost three years, nobody ever gave me a mouse pad for either my desktop in the office or for the laptop I use to work from home. I went to the office store to buy mousepads, and they only come with generic graphics or in a small selection of solid colors. I guess nothing else really sells these days. Anyway, I wound up buying a 2-pack of royal blue mousepads. Because that was boring me, I took a marker and doodled some karakusa decorative vinework around he edges.
That’s better. I’m so glad that I taught myself how to do this for the Tachi Kake project.
We are going to need some auxiliary seating at an SCA event in March, and most of the benches I havemade are locked up in a storage trailer. Plus, they are large and not very portable. My breakdown bench is nice and portable, but somewhat of a pain to re-create given the weird joinery. I decided to design something based on the shape of a Japanese endai bench, but a little smaller than normal, and with folding legs so that it be a little more portable. Bonus points if I could make it so that it would fit in a little fold-up wagon we use to transport stuff at events.
The top of this bench measures 15″x30″ and it is about 15″ tall. It took me most of a Saturday in the shop from start to finish. I was able to construct it entirely from lumber that I already had in the garage. The majority of the 2by4 material came from a single 12-footer that’s been up on the rack for three or four years. As a consequence, the bench has a bit of a twist to it and doesn’t sit completely flat on the floor until you put some weight on it. Even the axles for the legs are made from a poplar dowel I had “in stock”.
Late in the design process, I decided to move the legs in one inch from the ends. I did not think about the fact that this would mean that the legs would have to be shorter if they were going to fold entirely into the undercarriage. So, it does not fold up entirely, but it does fold up mostly. If I cut the legs an inch shorter, they would fit, but I also would have to cut clearance curves onto the ends so that the corners wouldn’t jam things up.
I used screws to hold the whole thing together, which I’m not proud of, but I just was not in the mood to do fancier joinery than that. I am proud of the fact that I did most of the cutting by hand with a ryoba saw, though the curves at the tops of the legs were much easier on the band saw. The sanding and assembly were all done with power tools, because I really did want this to be done in one day. Success!
According to the takadai book that I have, the used takadai that I bought from a friend needs one more accessory to be complete. The raddle is used during set-up to keep the strands separated and in order before they are wound onto tama and placed on the koma. This takadai may not even have come with a raddle, since it is not 100% necessary for braiding. Having set up for two braids now, I can confirm it is optional. It does seem handy to have, though, so I decided to make one.
Thw raddle is the bar across the front of the takadai that is basically a row of pegs. I bought a piece of maple, and cut it down to the size I wanted. Then I drilled a line of 3/16″ holes along the length of the bar using the drill press, and rounded the top and side edges with a router.
Next, I cut a few 3/16″ diameter dowels into 1″ lengths. I rounded the ends of each peg with a Dremel grinding stone, and then glued one peg in each hole.
After attaching a couple of small blocks to the underside of the raddle so that it can be mounted in the slots of the outer arms, the raddle was ready to go.
A while back I made a Lantern Storage Box to hold the six wooden frame lanterns that I made for camp. I had previously made a couple of lantern storage boxes to protect a couple of large frame lanterns, but this smaller cypress lantern had no box in which to be stored. Now it does.
Anyway, it’s just an empty box, made of plywood. These were some of the last medium-size plywood bits I had around the shop. If I want to do more quick projects like this, I might have to start buying new plywood, despite the current inflated prices. The hardwood rim provides some reinforcement, and gives you something to grab as a handle.
There’s just enough room inside to insert this particular lantern. The lantern actually sticks up a little past the sides of the box. I just didn’t have four pieces that were tall enough. You might even notice that the thicknesses of the sides are not even the same. It hardly matters.
Once you are finished placing the lantern in the box, you can add the lid. The lid is tall enough that it rests on the handle rails instead of on the legs of the lantern. It’s not a very tight fit. Normally, I wind up making lids too tight-fitting, but this one is kind of loose. I might add some kind of closure so that the lid does not fall off if the box gets tipped over.
I put some polyurethane on the outside of the box, to protect the lantern if the roof of our storage trailer leaks or the box gets left out in the rain.
Most of the Japanese toolchests I make follow the pattern established by Toshio Odate, which makes them very traditional, but very modern.
So what were Japanese toolchests like in the medieval period? Similar in some ways, but a lot less sophisticated.
In this fourteenth century illustrated scroll, two apprentices take a break from working on the construction site of a new temple. One leans against a tool chest that is open, showing some tools inside. We can estimate that this chest is about 3 feet long, about 1 foot wide, and six or seven inches deep. The end handles and clever locking mechanism are missing, but the cross battens keep the lid from falling in. The wood seems very thin, represented by a single line whereas the battens are shown with rectangular ends. No joinery or fasteners are visible, which makes them something of a mystery. Butt joinery is used on the modern chest, so we can assume it was used here, too. No edge to the bottom of the box is visible, so the bottom piece is most likely fully captive. Nails are used on the modern chest, so it’s likely they are used here, though they may be wooden nails or pegs.
Here is my interpretation of the fourteenth century toolchest:
I ran a 6-foot 1×8 and a 6-foot 1×12 through the planer to shave it down to a half-inch thick. I cut the bottom, lid, and two ends from the wide wood. I cut the sides and battens from the “narrow” wood, ripping the 7.25″ width into 2″ battens. Then, I nailed it all together.
I deadened the nails for the lid, so it should hold together pretty well. The whole thing is 29 inches long, which was about the biggest chest I could make from the two boards with which I started.
What did I learn? My chest isn’t long enough, and it’s possibly too deep. The proportions just don’t look right. My battens should be made from thicker wood, and should be both narrower and closer to the ends of the lid. Because I used thinner wood, this chest is a lot lighter than a previous attempt. Very little wood is wasted, unless you count the one third of the lumber that got turned into shavings.
first project of he new year! Sharon’s been asking for this for a while, and I finally got around to it. It’s a desk riser to boos her monitor a few inches so she can see the monitor over the laptop screen and have a place to stow her flatbed scanner when she’s not using it.
So yes, this is more left-over shelf material from the old house. I spent so much time staining and finishing these shelves that I could not bear to throw them away when we moved six years ago, and I have been cannibalizing them as pre-finished materials for little projects ever since,
this riser is 21 inches of pine 1×10 shelf supported by some 3.25″ lengths of 1×10 to make the riser about 4 inches tall. The “legs” are joined to the top using furniture dowels (left over from IKEA purchases) and a couple of brass right angle brackets to make sure it does not wobble. I added some stain and water-based polyurethane to the cut edges to give the riser a completed look. I even did most of the cutting by hand because it was faster than setting up the table saw for four cuts.
Sharon needed 17.5 inches between the legs to stow the scanner without kinking the cord, so the 18 inches I gave her is more than enough. So much classier and more useful than a couple of phone books!
Like many people, this winter was pretty bad for me. The isolation at home, the chaotic election, the violent attempt to overthrow a democratically elected government… I realize things were even worse for people who actually got sick, but the rest of us still had a lot to deal with. To help fight the depression, I bought one of those full spectrum lamps to at least help combat the winter blahs that are caused by lack of sunlight during the Winter. I think it helped, even if it was just the feeling that I was trying something new.
I bought a small-ish, flat-panel light that I could mount on the wall over my desk, or place off to the side on a table. It works great, and has a timer function so that I can chunk out my work day. The only problem is that its modern aesthetic clashes with my rustic Japanese decor preferences. So, I made a cedar “shoji” frame to disguise the lamp.
I can’t show you what it looks like with the light on, because the lamp is so bright that you wouldn’t be able to see anything else in the photo besides the glowing rectangle. I am thinking of adding some kumiko lattice-work to the frame opening, but kumiko are so trendy right now that I don’t know if I can bring myself to do that. Honestly, if one more person responds to me saying “I do some Japanese-style woodworking.” with “Have you tried kumiko?” I may stop discussing woodworking entirely.
I started a new job back in September, while the office was completely closed. I about reached the end of my work-from-home productivity rope this Spring, so I appealed to my boss to be allowed to start coming in to the office. It’s been a good move, productivity-wise, as I am able to focus on work much better when I am not in the same room with so much of my crafting equipment and materials.
One thing I was really missing about my home office though, was the ability to work while standing. At home, I had started putting the cedar stepstool up on the craftsman endtable, and using that assembly as a standing desk for my work laptop. In the office, I’m using a desktop computer with a full keyboard, and the stepstool is not wide enough to accommodate that and a mouse.
Luckily, I still had some finished pine shelves from the old house in the garage. I cut one of them up into pieces, joined the pieces with dowels and glue, reinforced the joins with some metal right-angle brackets, finished the cut ends of the pieces, and now I have a standing desk for work without having to appeal to the furniture gatekeepers for an expensive motorized desk.