I was going to participate in a zoom conference with a bunch of braiders, but I realized that I did not have a braid set up to work on during the call. so, I measured out the silk, wound the tama, and worked on the braid. Then, I had another Zoom, and that gave me enough time to finish the braid.
It’s basically the same braid as the previous one, but the core and outer colors are reversed.
This is the second of a pair of recent replications of images from the Nanajuichiban Shokunin Uta-awase emaki, a medieval Japanese scroll that depicts an imaginary poetry competition between artisans and artists of various types.
This emaki (illustrated scroll) depicts a poetry competition (uta-awase) among people of various occupations. The competition has 71 rounds, and 142 different kinds of craftspeople (shokunin) are depicted, each with their own poem. This image depicts a musician playing a small drum called a “ko-tzuzumi”, The heads of the drum are tensioned with rope. As she is depicted with a walking stick and zori sandals, she is most likely an itinerant musician.
I’m happier with the second copy, though realistic depictis of the drum appear to be somewhat beyond me. I’m intrigued by the thing where both this lady and the biwa player thread the walking stick through the straps of their sandals.
[Ishiyama‘s Yamato-e page has been updated to include all the paintings to date.]
This is the first of a pair of recent replications of images from the Nanajuichiban Shokunin Uta-awase emaki, a medieval Japanese scroll that depicts an imaginary poetry competition between artisans and artists of various types.
This emaki (illustrated scroll) depicts a poetry competition (uta-awase) among people of various occupations. The competition has 71 rounds, and 142 different kinds of craftspeople (shokunin) are depicted, each with their own poem. This image depicts a musician playing a stringed instrument called a “Biwa”, the strings are plucked with a fan-shaped plectrum. As he is depicted with a walking stick and geta sandals, he is most likely an itinerant musician.
You can see that I did a little bit of playing with color and composition, particularly the arrangement of the musician’s accoutrement. The first one is most true to the original scroll, but I like the way the green coloring came out on the second copy.
Here we go with that first pelican image I was talking about last week. I did four copies of this one. The first one is quite large, occupying most of a sheet of 9″x12″ paper.
The others are smaller, to leave more room on the page for writing.
This last one I rotated a bit to make it occupy even less of the page.
Traced from “Pelikan” by Christoph Schaarschmidt (2021). This photo was one of the top 50 photos in the CEWE photo awards competition of 2021. I saw this photograph of a pelican, and just thought it would make a good writ scroll or other recognition of service. The dignity of this noble bird shows through, as does the dignity of those who perform service in the society. I traced the photo and colored it in the “tsukuri-e” (built up paint) style.
I just realized that I never posted about the first set of pelican brushwork, but here is the second set of pelican images. The story here is that the “Order of the Pelican” is the SCA peerage order, much like a Knighthood is for fighting, but for service to the society. I saw a terrific photograph of a pelican in a page about “best wildlife photographs of 2021”, and I realized that the image would make a great Yamato-e scroll blank. Maybe not for a peerage, but maybe for a “writ”, an invitation to consider entry into the order. I thought that image came out OK, but I hunted down another image because I wanted one in flight …and here it is!
My paintings are derived from a photograph posted to Awesome Sasquatch in 2013 by Ken Chan. All credit, any vibrancy and splendor in my image is entirely based on his image.
Last week, we attended the “Armistice” event up at Cooper’s Lake Campground. Informally called “Pretendsic”, this was the event that the campground decided to run on their own after the SCA’s Pennsic War was cancelled again. It was a much smaller and informal version of a war, with no organized battles and many fewer classes. We did not even camp up there most nights, and brought all our own food. We spent a lot of time in camp braiding, and I completed these four braids.
All four braids were made using kute-uchi hand-loop braiding. The two inner braids are Mitake-gumi 10-loop rectangular braids, both using a single ply of acrylic yarn for each loop. The two outer braids are Maru-genji-gumi 16-loop round braids. The inner of the two uses a single ply of acrylic yarn for each loop, and the outer uses two plies of cotton crochet thread for each loop. To keep the loops together in bundles for the 2-ply braid, I used rope kute handles. These were all braided while seated on a bench, and I used my toes to beat the stitches if the braids were too long for manual tightening.
A few weeks ago, Sharon hosted an indigo dyeing activity at our home. Some people came over and we spent all day dunking fabric in dye pots. I did some small test pieces for various techniques, but I also twisted up some big pieces of silk broadcloth, and then I made this kosode from that fabric.
It looks kind of like an accident in a bleach factory, but closer up the indigo patterns are very organic and Rorshach-inkblot fascinating.
Choju squiga? A few weeks ago, there was a news story about a town in Japan that is attempting to kickstart tourism after the pandemic by installing a statue of a giant squid. Awesome, huh? I wanted to be able to use the image of the giant squid for my own purposes (porpoises?), so a quick trip to the paintbox later…
I’m happier with the tentacles on the second one, but I’m not completely happy with the shading on it.
Basically as soon as Sweetie and I had reached full immunity following our second COVID-19 inoculations (it’s not really a vaccine, you know), we went and visited my parents in NJ. They still live where I grew up in NJ, and although we did not want to go into NYC to visit fabric stores, I decided to search around the area to see what might have become available in the 30+ years since I left. Sure enough, the large presence of immigrants from Southeast Asia in my home town had resulted in some great fabric stores catering to their tastes, including one just 15 minutes from my parents’ house, called “Fabric Guy“. I was looking for some figured white silk for another project, but also wound up buying some of this lovely medium-weight silk brocade.
I suddenly decided that I needed a fancy kosode, because who doesn’t need a new fancy kosode every once in a while? One difficulty with the project is that the gold metallic threads for the flower buds (or whatever they are) are pretty much just behind those graphics. Cutting the fabric released hundreds of little whiskers, and I realized that wearing the kosode would break off more of those and they would get into everything else. The solution was to add a lining to the plan.
I had some light-weight habotai silk in my stash, so I used that. I’ve made lined garments before, so this was not alien territory for me, but it has been a while. The trick, for those who don’t know it, is to leave closing the neckband for the very last step. That enables you to attach the sleeve linings to the body lining easily by pulling those seams to the outside of the garment. This silk was so light that keeping it still enough to sew was something of a challenge, but it came out OK, I think.
In Japanese, what Americans call “chopsticks” are called “hashi“. “Maki” is the word for “roll”. Many years ago, I bought a pair of hashi that came rolled in a piece of fabric, secured with a cord and a bead, and this was such a handy thing to have that I realized these would make great gifts, and would be a good way to use up small squares of surplus fabric. I bought a couple packages of bamboo chopsticks at the Asian grocery, and away I went.
Here are the products of that idea. The fabric came from my stash of surplus fabric. You may recognize some fabric from previous sewing projects. The beads came out of my stash of beads and baubles that have been given to me as tokens of appreciation over the years. The basic process is to sew two squares of fabric right-sides together, leaving one corner un-sewn, Turn the squares right-side out, and insert the ends of the cords in the unfinished corner. Top stitch all the way around, sealing the corner and securing the cord.
To use, place flat on a surface with the corded corner pointing to the right. Place a pair of hashi just to the left of the center line, oriented vertically. Fold the top and bottom corners over the ends of the hashi, so they can’t slide out of the roll. Fold the left corner over the hashi to the right. Roll the hashi up in the fabric, wrap the roll with the cord, and tuck the bead under the wrapped cords to secure the roll.
