Here we go with that first pelican image I was talking about last week. I did four copies of this one. The first one is quite large, occupying most of a sheet of 9″x12″ paper.
Pelican 01 01
The others are smaller, to leave more room on the page for writing.
Pelican 01 03
Pelican 01 04
This last one I rotated a bit to make it occupy even less of the page.
Pelican 01 02
Traced from “Pelikan” by Christoph Schaarschmidt (2021). This photo was one of the top 50 photos in the CEWE photo awards competition of 2021. I saw this photograph of a pelican, and just thought it would make a good writ scroll or other recognition of service. The dignity of this noble bird shows through, as does the dignity of those who perform service in the society. I traced the photo and colored it in the “tsukuri-e” (built up paint) style.
I just realized that I never posted about the first set of pelican brushwork, but here is the second set of pelican images. The story here is that the “Order of the Pelican” is the SCA peerage order, much like a Knighthood is for fighting, but for service to the society. I saw a terrific photograph of a pelican in a page about “best wildlife photographs of 2021”, and I realized that the image would make a great Yamato-e scroll blank. Maybe not for a peerage, but maybe for a “writ”, an invitation to consider entry into the order. I thought that image came out OK, but I hunted down another image because I wanted one in flight …and here it is!
Pelican 02 01
Pelican 02 02
Pelican 02 03
My paintings are derived from a photograph posted to Awesome Sasquatch in 2013 by Ken Chan. All credit, any vibrancy and splendor in my image is entirely based on his image.
Last week, we attended the “Armistice” event up at Cooper’s Lake Campground. Informally called “Pretendsic”, this was the event that the campground decided to run on their own after the SCA’s Pennsic War was cancelled again. It was a much smaller and informal version of a war, with no organized battles and many fewer classes. We did not even camp up there most nights, and brought all our own food. We spent a lot of time in camp braiding, and I completed these four braids.
Four Kute-Uchi Braids from Armistice
All four braids were made using kute-uchi hand-loop braiding. The two inner braids are Mitake-gumi 10-loop rectangular braids, both using a single ply of acrylic yarn for each loop. The two outer braids are Maru-genji-gumi 16-loop round braids. The inner of the two uses a single ply of acrylic yarn for each loop, and the outer uses two plies of cotton crochet thread for each loop. To keep the loops together in bundles for the 2-ply braid, I used rope kute handles. These were all braided while seated on a bench, and I used my toes to beat the stitches if the braids were too long for manual tightening.
A few weeks ago, Sharon hosted an indigo dyeing activity at our home. Some people came over and we spent all day dunking fabric in dye pots. I did some small test pieces for various techniques, but I also twisted up some big pieces of silk broadcloth, and then I made this kosode from that fabric.
Choju squiga? A few weeks ago, there was a news story about a town in Japan that is attempting to kickstart tourism after the pandemic by installing a statue of a giant squid. Awesome, huh? I wanted to be able to use the image of the giant squid for my own purposes (porpoises?), so a quick trip to the paintbox later…
Giant Squid (01)
Giant Squid (02)
I’m happier with the tentacles on the second one, but I’m not completely happy with the shading on it.
Basically as soon as Sweetie and I had reached full immunity following our second COVID-19 inoculations (it’s not really a vaccine, you know), we went and visited my parents in NJ. They still live where I grew up in NJ, and although we did not want to go into NYC to visit fabric stores, I decided to search around the area to see what might have become available in the 30+ years since I left. Sure enough, the large presence of immigrants from Southeast Asia in my home town had resulted in some great fabric stores catering to their tastes, including one just 15 minutes from my parents’ house, called “Fabric Guy“. I was looking for some figured white silk for another project, but also wound up buying some of this lovely medium-weight silk brocade.
Close-up on the fabric
I suddenly decided that I needed a fancy kosode, because who doesn’t need a new fancy kosode every once in a while? One difficulty with the project is that the gold metallic threads for the flower buds (or whatever they are) are pretty much just behind those graphics. Cutting the fabric released hundreds of little whiskers, and I realized that wearing the kosode would break off more of those and they would get into everything else. The solution was to add a lining to the plan.
Open kosode, showing lining
I had some light-weight habotai silk in my stash, so I used that. I’ve madelinedgarmentsbefore, so this was not alien territory for me, but it has been a while. The trick, for those who don’t know it, is to leave closing the neckband for the very last step. That enables you to attach the sleeve linings to the body lining easily by pulling those seams to the outside of the garment. This silk was so light that keeping it still enough to sew was something of a challenge, but it came out OK, I think.
In Japanese, what Americans call “chopsticks” are called “hashi“. “Maki” is the word for “roll”. Many years ago, I bought a pair of hashi that came rolled in a piece of fabric, secured with a cord and a bead, and this was such a handy thing to have that I realized these would make great gifts, and would be a good way to use up small squares of surplus fabric. I bought a couple packages of bamboo chopsticks at the Asian grocery, and away I went.
8 Hashi-maki, 2021 edition
Here are the products of that idea. The fabric came from my stash of surplus fabric. You may recognize some fabric from previous sewing projects. The beads came out of my stash of beads and baubles that have been given to me as tokens of appreciation over the years. The basic process is to sew two squares of fabric right-sides together, leaving one corner un-sewn, Turn the squares right-side out, and insert the ends of the cords in the unfinished corner. Top stitch all the way around, sealing the corner and securing the cord.
To use, place flat on a surface with the corded corner pointing to the right. Place a pair of hashi just to the left of the center line, oriented vertically. Fold the top and bottom corners over the ends of the hashi, so they can’t slide out of the roll. Fold the left corner over the hashi to the right. Roll the hashi up in the fabric, wrap the roll with the cord, and tuck the bead under the wrapped cords to secure the roll.
I did these two paintings more than a year ago (possibly two), but never even scanned them in, much less posted about them. They are more explorations of the artwork of Sesshu, the late-period painter who blended Chinese and Japanese art styles in sweeping landscape paintings. They are both copies of a panel in “The Autumn and Winter Landscapes”, a pair of hanging scrolls from late in Sesshu’s working life.
This first copy, as usual is an attempt to be faithful to the mostly monochrome style. I may have used a gray paint for the shading instead of a dilute ink, because it is way more predictable. I also left out most of the background of the original image, in an attempt to leave space for scroll wording. This image is nearly the full height and width of the paper!
This second painting is an attempt to add a little more color, mostly muted. I put much of the background back in, leaving out the sailboat on the water, but re-adding the hill (island?) beyond and its village. I think the leaves on the pine trees came out terrific, and the stippling for the fields is very good. I’m very happy with the way the dry-brushing for the rocky hillside worked out.
I built this Tachi Kake sword stand back in July, but I only got as far as putting a few coats of black finish on it before winter settled in. In early Spring of this year, I added embellishment to the Tachi Kake in the form of karakusa vinework in gold paint. I did all the painting by hand, because it is fun and I have started to get good at it. I then put several coats of clear shellac over the gold paint so that it will not rub off at the slightest touch.
Embellished Tachi Kake
I now have two pieces of furniture embellished with gold karakusa. There is this and the kyousoku armrest that I suppose I never formally posted about. One day I suppose I will have a full set of fancy gentleman’s accessories. Anyway, here is what the Tachi Kake looks like with my Tachi sword in it.
More Choju Jinbutsu Giga copies, this time with a fox carrying food and a rabbit carrying a musical instrument. I did a number of variations on this one, with different arrangements of the elements, including some of the greenery that is all over the historical scroll.
